Photography: Matthew Fang BUY CIALIS SOFT PILLS NO PRESCRIPTION, When it comes to winning sales, photographers have a huge advantage. Not only do they own one of the most powerful marketing tools a business can use, CIALIS SOFT PILLS from canada, but they’re also experts at operating it. A camera – and the images the camera creates – is always a great way to engage leads and communicate your talent. But there’s one feature on a digital camera that has a marketing power all of its own, CIALIS SOFT PILLS dosage, and it’s one that few photographers bother to make the most of. CIALIS SOFT PILLS samples, Shoot video as well as stills and the result can be a whole new way of talking to customers, winning trust and telling people what they can expect once they’ve hired you.

The footage you create can be given away as promotional DVDs, uploaded to a blog to give an insight into the way you work that can’t be communicated through a portfolio, and it can include still samples from the shoot to create an additional distribution channel for your portfolio shots, BUY CIALIS SOFT PILLS NO PRESCRIPTION. Altogether, CIALIS SOFT PILLS maximum dosage, shifting the function button from shooting to videoing can give you a whole new way of promoting your work. Online buying CIALIS SOFT PILLS, Are You a Photographer or a Videographer?

Two photographers who do make use of videography are Lan and Bu Vui, brothers who together run a successful photography business. After finding that they were busy enough to give up their day jobs, CIALIS SOFT PILLS description, they turned professional two years ago, Is CIALIS SOFT PILLS safe, and now offer headshots, wedding photography, commercial images and fashion shoots, CIALIS SOFT PILLS cost, dividing the work between them. My CIALIS SOFT PILLS experience, In addition to their still photography services though, the brothers also offer videography, shooting ads for businesses and creating video-based electronic press kits as well as profile videos, CIALIS SOFT PILLS from canadian pharmacy, live-streaming event services and Web shows.

BUY CIALIS SOFT PILLS NO PRESCRIPTION, “Our photographer friends see us as the video guys and our video and new media friends see us as photographers,” says Lan.

The move into video work began with an interest in video blogging. CIALIS SOFT PILLS over the counter, The Bui brothers were among the founders of the Yahoo. Videoblogging group, and in 2008 produced the The [b] School Blog, order CIALIS SOFT PILLS from mexican pharmacy, a daily educational videoblog for photographers. CIALIS SOFT PILLS pharmacy, They were also the official photographers for the Streamys, The International Academy of Web Television awards. As they started shooting and uploading, CIALIS SOFT PILLS reviews, each clip, CIALIS SOFT PILLS trusted pharmacy reviews, they decided, needed to be better than the last. Although they often shoot on equipment no more complex than a point-and-shoot camera on video mode, and occasionally even a mobile phone, they soon found themselves winning commercial work, BUY CIALIS SOFT PILLS NO PRESCRIPTION.

Their background as photographers helps, comprar en línea CIALIS SOFT PILLS, comprar CIALIS SOFT PILLS baratos. According to Lan, Purchase CIALIS SOFT PILLS for sale, his knowledge of photography has a strong influence on the way he shoots movies, enabling him, for example, where can i buy cheapest CIALIS SOFT PILLS online, to reduce equipment costs. Purchase CIALIS SOFT PILLS, As a natural light photographer, Lan says, he’s usually able to skip the tons of lighting equipment often used by film crews, CIALIS SOFT PILLS for sale, and can even avoid using a reflector. CIALIS SOFT PILLS dangers, Lan and Vu’s knowledge of film-making has given them an additional revenue stream (and they now sell DVDs that teach others how to make DVDs) but it’s also helped them to promote their photography business. BUY CIALIS SOFT PILLS NO PRESCRIPTION, By placing behind-the-scenes clips taken at their shoots to their blogs, they’re able to talk directly to potential clients, show how they work and win the trust that leads to sales.

“Our videos really have done a lot for us that I don't think a blog post or just some photos could ever do,” Lan says, CIALIS SOFT PILLS steet value. “From a marketing point, Where can i cheapest CIALIS SOFT PILLS online, I can't think of a better way we can connect with our potential clients... and that is where we get hired... not from great work.., CIALIS SOFT PILLS brand name. not from a killer sales team.., BUY CIALIS SOFT PILLS NO PRESCRIPTION. but by connecting with our viewer.”

At just over a minute, Taking CIALIS SOFT PILLS, the videos are neither long nor outrageously sophisticated. Still images from the shoot are combined with comment aimed at the video camera, background music and questions and answers with the model to create an understanding of how the brothers conduct their photography. They’re entertaining and fun to watch, but they still broadcast a strong marketing message.

A Behind-the-Scenes Movie Should Be Part of the Shoot

Nor does creating the clips have to mean adding a great deal of work on top of the usual workload involved in shooting and processing the still images. BUY CIALIS SOFT PILLS NO PRESCRIPTION, According to Lan, a short behind-the-scenes promotional video should be considered as part of the shoot itself. Creating the footage can be as simple as holding up your iPhone and talking to the lens — something that Lan does often in his shoots — and while the clip might demand some editing, post-production work and uploading, photographers need to accept the fact that a clip will never be perfect. In fact, says Lan, a casual approach is actually the best way to go about creating a promotional behind-the-scenes video.

“[T]he most important thing to do is to talk to the camera and be yourself,” he advises. “Too often I see photographers post behind the scenes videos that are just music videos showing them holding a camera to their face... how can a client connect with you through that?”

Or better still, he advises, point the camera at the client and ask him or her to talk to the lens, BUY CIALIS SOFT PILLS NO PRESCRIPTION. Hearing you talk about the great pictures you’re going to produce has some marketing power, but hearing a client talk about the great pictures you’ve produced in the past for them makes for a fantastic video testimonial.

Photographers and videographers often have an ambiguous relationship, with each side sometimes seeing the other as a kind of creative rival. One of the responses to Flickr’s decision to allow members to upload files that are “like a photo but it moves” was the establishment of a group called “No Video on Flickr” which now has over 11,000 members. The “We Say Yes to Videos on Flickr” group has just 877 members. But videographers and photographers work together on weddings and the skills needed to do one job overlap with the skills needed to do the other.

Put the two together, add some new skills and you should find that you have more to offer and a better way of offering it.


4 comments for this post.

  1. Denver Engagement Photographer Said:

    Yah this is some great stuff, to bad I didn't get a d90, I mean i'm keeping my d700, but I cant do video on it, which kinda bums me out, but apparently with it tethered you can use the live view functionality to get video off of it. But rarely am I shooting tethered. Great idea nonetheless.

  2. James W Said:

    I really love this “photo-fusion” movement. I was recently sent a link on my facebook of a company that helps to put together your still photos and video together (a great resource for those who may not have the time or knowledge). You can find them at Thx for the tips on talking to the camera/better yet having the clients talk to the camera.

  3. Michael Clements Said:

    Whilst I'm not exactly excited about 'photo-fusion', I find the idea of photoslideshows and rotoscoping a little mundane, I think the skills of a photographer and that of a cinematographer do cross over greatly and it is perfectly plausible to work as one and the other. However the big difference comes when you become responsible for capturing a scene vs capturing a split second, the scene and its characters must be caught in a way that satisfies both the director and the editor, which leads to narrative function too and having enough coverage to tell the story. So whilst technically you may have a camera, a lens and a recording device, it does not automatically make you a good camera person, there are many other things to consider in the art of cinematography.
    There are countless new variables that need to be accounted for when shooting film/video.
    My advice, try to edit something that you've shot, an event, a scene... see where improvements can be made, creatively and technically. See what you missed in coverage. Observe film language, watch films, watch tv. Rip it apart and see what makes it tick overall.
    Oh and a great book for anyone remotely interested in this area, In the Blink of an Eye, Walter Murch.

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